Pen-and-pencil marks can often be a visual representation of stress. What’s the antidote? For any age group, the Double Doodle offers a unique expression, and can also bring more ease and fluidity to drawing and writing.
In examples of students’ two-handed play on paper, you can see the centralization and imagine the fun and relaxation, all part of the signature of Double Doodle play.
*The Double Doodle is one of 26 Brain Gym activities described in Brain Gym®: Teacher’s Edition by Paul and Gail Dennison, ©2010, Edu-Kinesthetics, Inc., Ventura, CA. Photo Credits: Gail E. Dennison. All rights reserved.
© 2018 by Gail E. Dennison. All rights reserved.
Brain Gym® is a trademark of Brain Gym® International/the Educational Kinesiology Foundation. Click here for the name of an instructor near you.
You might also enjoy:
Why I Love Teaching Double Doodle Play
A Soothing Double Doodle Heart for Kids of All Ages: A Short Tutorial
Using Two Hands to Engage Centralized Focus and Attention After a Stroke
Double Doodle Holiday Play (a tutorial of Christmas and winter images)
Gail and Paul do “The Give and Take” from the Integrated Movements menu.
Dear participants at the 2016 Annual EKF Conference,
Our thanks and congratulations to the board, staff, and all who are coming together to move, play, and share in this year’s 4-day June event in Portland, Maine.
The theme—“Port of Potential”—with its invitation of holding new possibilities for our lives and exploring “all things capable of becoming real,” is an invitation to explore the arts, wellness, movement patterns and sensory skills, business development, and much more.
As we envisioned an annual conference, we saw the value of developing the profession of Educational Kinesiologist. Our dream has come true as our language of learning through movement has been validated and recognized by educators, kinesiologists, physical therapists, occupational therapists, and many neuroscientists across the planet. Edu-K and the Brain Gym program represent excellence and professionalism. We’re proud of all of you and extend our humble gratitude for your steadfast loyalty over these many years.
The two of us, having attended 25 plus Edu-K conferences over the years—beginning in 1989 at Murrieta Hot Springs, California—know these gatherings as rich opportunities to connect with dear, longtime friends worldwide and to meet new ones, exchange Edu-K balances, and deepen our inner listening to the needs and desires for our own lives. We’ll be thinking of all of you as you call upon your dreams and visions and discover new ways to embody them; we are with you in spirit and we’ll be calling in our own.
Celebrating Keynote Presenters:
Carla Hannaford (presentation title yet to be announced), is an award winning biologist and educator, and an inspiring and knowledgeable speaker. The author of four books, all of which have been translated into many languages, her work is quoted in more than 1,000 books and journals. She is the creator of the Physiological Basis of Learning/Brain Gym series of courses and a Visioncircles Teacher Trainer. Dr. Hannaford is truly a pioneer of learning through movement, having taught in 48 countries world wide.
Rose Harrow, “Charge What You’re Worth – and Get it!,” is another longtime Edu-K trailblazer. An International faculty member of 30+ years, she has served many roles within the Foundation, including that of Network Coordinator and Executive Director. A certified business coach, Rose currently mentors Brain Gym Instructors to “take the lid off of their success, increase their income, joyfully create a sustainable business and expand their service to more people.”
Dionne Kamara, “Jamaica Brain Dance – Laying the Groundwork,” is a teaching artist in NYC, where she works with people of all ages. She began learning traditional Kumina dances, under her great-grandmother’s tutelage, as a child in Jamaica. A professional dancer for many years, she has toured internationally with the renowned dance company Urban Bush Women. She co-teaches with her mentor Anne Green Gilbert at the Summer Dance Institute for teachers in Seattle, Washington.
More Edu-K Pioneers
We’re thrilled to see that many other move-to-learn pioneers among the International Faculty members—some who have been faculty for 25 years or more—will also be presenting this year:
Don Wetsel, MA, LAc, BCTMB, Virginia – “From Stress to Creative Success”
Renate Wennekes, Germany – “Brain Gym Activities in a Developmental Perspective”
Colleen Gardner, Colorado “Come to Your Senses, All 12 of Them!”
Glenys Leadbeater, RN, New Zealand – “Port of Potential, Double Doodle Style”
Barbara Wards, New Zealand – “Working With Facial, Tongue, & Throat Muscles to Improve Communication”
Cindy Goldade, MA, Minnesota – “The Art & Science of Storytelling”
Sharon Plaskett, Utah – “Five Elements and Brain Physiology”
Paula Oleska, (Emerita), New York – “Your Secret Brain, the Key to Your Potential”
We were moved to read of the many other innovative professional development presentations and breakout sessions that have been scheduled—many of them being given by leaders who first became Brain Gym Instructors in the mid- 1980s. We would love to thank each of you by name; since the list is long, you can read it here. Click here for information on post conference events.
Our Current Focus
This year we celebrate the thirty-year anniversary of our little orange book, Brain Gym: Simple Activities for Whole-Brain Learning, written initially as a “homeplay” handout for Edu-K students. Paul continues teaching local courses here in Ventura, California, and taught this spring in Belgium, France, and Switzerland. This fall, he’ll travel to Japan for the third time. Click here to read about his course last year in Dubai. Meanwhile, Gail continues working on blogs, digital product updates, and our latest book project.
Gail and Paul Dennison
As we continue to grow the presence of Brain Gym and Educational Kinesiology in the social media (Facebook, Twitter, and LinkedIn), we appreciate these avenues as a grassroots opportunity to update parents and educators with the latest research on movement, play, and learning, as well as a way to connect with so many of you. Thank you for your support!
In today’s technologically driven world that teaches both near-point overfocus and passive sitting, the Edu-K work is becoming more important than ever—not only for schoolchildren but for people of all ages. Research daily calls each of us to action by way of bringing increased movement, play, and structural alignment to our everyday activities, and especially in the learning environment. |
Where Edu-K once pioneered the field of movement-based learning, there are now many “move to learn” programs. The 26 Brain Gym activities, the Brain Gym 101 course, Seven Dimensions of Intelligence, and our other fine courses remain unrivaled in scope, simplicity, and a regard for the learner through self-actualizing activities. Research in neuroscience continues to catch up with our commonsense recognition of the interrelationship of the human body and optimal brain function.
Please connect with us through our learning resource site, Hearts at Play: Move, Learn, Bloom, that offers blogposts and videos to answer many of the how, what, and why questions about the Edu-K work that you’ve asked us throughout the years. We trust you’ll find this site useful in creating immediate interest in your courses and private sessions. May we all keep finding balance as we progress in our personal and professional goals, and may we all keep moving with joy!
Love and hugs to all,
Gail and Paul Dennison
For more about the Edu-K approach to whole-brain learning, see Paul’s article: Why I Chose Research Over the Ivory Tower.
Brain Gym® is a trademark of Educational Kinesiology Foundation/Brain Gym® International. Click here for the name of an instructor in your area.
Two flower fairies frolic among the play scarves with their fairy dog.
“Each fairy breath of summer, as it blows with loveliness, inspires the blushing rose.”—Author unknown
I recently lifted the cover of my piano to find a row of pipe-cleaner fairies (some pictured here) resting on the high-note keys, with their “leaf wings” removed and carefully laid at their sides. I’m not sure what the story was, but the possibilities made me smile.
Optometrist G.N. Getman once said, “Vision is a learned skill of attention.” Since I have a passion for facilitating visual skills, I like to remind students that vision is primarily a habit, and that to shift our habits, we must choose to see something new out of the countless possibilities that call our attention every moment. Being outside is a wonderful way to rediscover our vision, as myriad points of light shimmer and dance over moving leaves and plants.
And another way is to imagine the fairy realm. Simply reimagining the landscape as one in which fairies move, dance, and glide from one thing to another, hovering or alighting, (as our eyes ideally do) gives us pause to see the microcosm of nature—to soft-focus our eyes and look anew at the rich and variegated world of shape, color, texture, form, and motion.
My two granddaughters (the youngest then 8) and I began making these wonderful fairies a few years back using fabric scraps and other things we keep in our craft box. Ever since, making and playing with these homemade friends has provided one way to deepen our imaginative play together as well as providing them with hours of creative pleasure on their own.
I find that when a child plays with such a calming and butterfly-like personage, especially one they’ve made themselves, they don’t need to be taught anything in particular about visual skills. They’ll naturally make hand motions that engage the eyes in tracking side-to-side, up-and-down, at diagonals, and near-to-far. They’ll relax their eyes as they centralize their play around the body’s midline (rather than off to the right or left, as they might do for reading or writing). I can see how, as they glide the fairies around, they engage their soft focus and the fluid, saccadic eye motion that helps balance modern demands of eye-pointing or overfocus common when reading or doing computer work. Not to mention that playing with the fairies invites that restorative inner world of self-motivated attention and exploration. Here are photos of our fairies and instructions for making:
Two rose petal flower fairies (with wings made of lamb’s ear and camellia leaves).
At right: A mother flower fairy cradles her infant (wrapped in a leaf) while a girl and boy fairy look on. The mother’s sash, made of fabric scrap tied in the back, helps to hold the petals in place. For this photo, they are not wearing their wings.
Smaller fairies with (at left) ficus-leaf wings; (at right), succulent-leaves.
A close-up of the mother and infant.
Back view of mom’s leaf head dress.
If you would like to make your own fairies, here’s how we did it:
Basic items for making a “bendy-stick” leaf fairy.
The Simplest Version – Ages 7 and up
– bendy sticks (also known as pipe cleaners)
– wooden beads for heads
– colored pencils (or non-smear pens) to draw the faces
– pairs of leaves (we used camellia, lamb’s ear, and a succulent, at right, or you can use fabric leaves* as in the photo below)
– glue (to secure the pipe cleaner at the top of the head)
How to do it (most likely, if you show the children a photo and give them materials, they’ll figure it out):
1. Fold a bendy stick to form a torso and legs and feet (fold the legs back on themselves for thickness); or omit the legs and coil another bendy stick around the body to make a skirt; fashion a top if you wish.
2. Use a second bendy stick to make the arms (also folded back); leave enough of the stick on which to place the wooden bead.
3. Leave a little bit sticking out as a neck, on which to place the bead head.
4. Draw a face on the wooden bead (we didn’t always like the faces, so some of these were turned to the back or new beads used so we could redraw).
5. Secure the head by bending a 1/8″ or so piece of the bendy stick across the top of the head (you may wish to glue this)
6. Coil a bendy stick to make hair
Options for Those with More fine-Motor Skill
– fabric rose petals*
– yarn for hair (glue on, or leave more length at the top of the pipe cleaner and use it to fasten the hair; see photos above). Unravel the yarn to create waves or curls.
– string (we used green and brown) for tying the petals on to the skirt
– needle and thread (not shown) for hand-sewing the petals on if you’re so inclined
– long-nosed pliers (I love to show children, when they’re ready to adhere to safety tips, how to use this
wonderful tool. In this case, the long-nosed pliers can be used to cut the pipe cleaners if you want to make them shorter.)
Three flower fairies with their fairy dog (all sans wings at the moment).
If you make fairy dolls, I would love to hear how you and your children play with them.
*We bought the fabric petals and leaves, along with the wooden beads and pipe cleaners, at Michael’s Craft store: www.michaels.com/
For a translation of this article into Spanish or Catalan, click here.
Gail Dennison is the co-creator, with her husband and partner Paul Dennison, of the Educational Kinesiology and Brain Gym® programs. She has also written the courses Visioncircles, Double Doodle Play, and their teacher training—courses that focus on natural vision improvement through movement and play.
Brain Gym® is the registered trademark of the Educational Kinesiology Foundation/Brain Gym® International, Ventura, CA, www.braingym.org. To find a Brain Gym, Visioncircles, or Double Doodle Play Instructor in your area, click here .
Homemade leaves, strung on a pretty ribbon, make a decorative fall banner and a joyful way to learn about leaves and trees.
My 12-year old granddaughter and I recently made this simple banner of fall leaves to decorate the chandelier above the family table. She came to me with the idea.
This is a fun and simple project for ages 8 and up. Start to finish, it took us 40 minutes, including the time we leisurely discussed different types of trees and their leaf formations. Actual drawing time was about 5 minutes. Cutting took the longest.
What you’ll need (see the photo, right):
masking tape (not shown) to hold down the corners of your final drawing
an interesting ribbon or string
leaf samples – a few interesting leaves from outside
(we used some illustrations as our guide)
- Select one or more types of leaf to draw. We got our ideas from the illustrations on the Heritage playing cards,* as this gave us a chance to look at the beautiful variations of leaves from different trees, as well as the overall tree shapes.
A glimpse of a few of the tree and leaf varieties that we discussed and chose from.
We especially liked the shapes of the leaves on the field maple and red oak, shown here.
2. Do a few quick sketches and select the ones you like best for copying.
A 12-year old’s quick Double-Doodle sketches.
My quick Double Doodling of willow leaves. It’s fun to use 2 colors; though not essential.
3. Tape the corners of your paper to a table, so that it’s squarely in front of where you’ll be standing or sitting as you draw
4. Align what will be the center (the leaf’s midrib) with your sternum. (If you’re new to the Double Doodle, you can click here for more basic drawing instructions.)
Notice how drawing different parts of your leaf can invite you to make different hand motions.
5. Draw the outside contour of your leaf. Many leaf shapes are easiest to draw if you turn the leaf so that it’s tip is facing you, and begin by drawing the petiole, the part that attaches to the branch. This way, your hands can move easily toward you in a flowing motion, gliding slightly in and out as you follow any interesting contours of the leaf blade. You’ll see in the photo at left that my granddaughter experimented with drawing the leaves both ways; beginning from the tip (far left) and from the petioles (larger drawings at right). In some cases, we used our leaf templates as a jumping off point to create our own imaginative shapes. Leaves are not usually perfectly symmetrical, and yours will probably not be. Imperfections make them more interesting and natural looking. Note: We made the petioles quite wide to accommodate the hole punch.
Some completed Double Doodle leaves.
6. You can draw the leaf’s midrib (it’s midline) with one hand, or else, if you wish to keep going with the kinesthetic feeling of the Double Doodle, place your non-dominant hand on top of your dominant one as you draw this downward stroke. I find it easiest to do the veins and small netted veins at the leaf sides with both hands at once, flowing directionally down and out from my midline.
7. Cut out the leaf shapes.
8. Use your hole punch to make a hole in the bottom of each leaf (see photo, right).
9. Thread the leaves onto an interesting ribbon and then string it on a mantle, in front of a window, or wherever you like.
Happy celebration of autumn! ∞
My granddaughter threads the leaves onto a silver ribbon she found in the gift recycle.
*Since I often travel to teach the course Double Doodle Play: A Window to Whole-Brain Learning, I like to have small artistic templates to inspire my students. The Heritage Playing cards offer a wide range of beautifully illustrated cards. For our banner, we used their “Famous Trees,” on Amazon here. Heritage cards also offers a host of other options, including such favorites as Backyard Birds, Ocean Animals, and African Animals.
The Double Doodle is one of 26 Brain Gym activities, from Brain Gym: Teacher’s Edition © 2010, by Paul and Gail Dennison.
You might also like:
Double Doodle Hearts and Flowers for Mother’s Day
Why I Love Teaching Double Doodle Play: A Window to Whole Brain Vision
Double Doodle Play Brings Emotional Harmony Following a Stroke
© 2015 Gail Dennison. All rights reserved.
Brain Gym® is a trademark of Brain Gym® International/The Educational Kinesiology Foundation. Click here for the name of a Brain Gym or Double Doodle Play instructor near you.